Skip to main content

Current Research


*     Folk Narrative Structures in Pacific Literary and Cultural Productions
*     Indigenous Knowledge of Medicinal Plants in the Papua New Guinea
*     History and Memory in Oceanic Imagination
*     Indigenous Epistemology and Research Methodology
*     Literacy and Bio-linguistic Diversity in Papua New Guinea
*     Traditional Law and Indigenous Jurisprudence in Oceania

Comments

Popular posts from this blog

The first PNG Writer: Hosea Linge

  With so much going on around us we tend to forget about important foundations of our history. I could not get out of my mind the much neglected discussion on the first Papua New Guinean writer. Every now and then we need to acknowledge the important parts of our history as we move forward. I would like to acknowledge the first Papua New Guinean to write a book in the 1930s. A New Irelander by name of Ligeremaluoga wrote and published his book under the title The Erstwhile Savage: An Account of the Life of Ligeremaluoga in 1932. Ligeremaluoga is from Kono village in New Ireland Province. Ligeremaluoga’s book is by all accounts the first written account by a South Pacific Islander. Most of what we know as Pacific writing is dated to the 1960s and 1970s. Last month I presented a paper at the University of Hawaii to discuss another early Papua New Guinean writer by name of Ahuia Ova of Hanuabada, who published his memoirs in 1939, six years after Ligeremaluoga’s autobiography. ...

Well Done! Nora

 Melanesian writers: Regis Tove Stella (PNG), Nora Vagi Brash (PNG), Sam Alasia (Solomon Islands), USP Fiji campus, 1999.    One of the outstanding playwright and poet to emerge in Papua New Guinea is Nora Vagi Brash. She remains the foremost and the only Papua New Guinean female playwright. Nora was involved with acting in amateur theatre, radio plays, and street theatre in early 1970s. Her exposure to the world of theatre in England inspired her to write her own plays on her return to Papua New Guinea. The National Arts School employed Nora as an assistant lecturer in puppetry, dance, and drama. She then moved on to become one of the two artistic directors with the National Theatre Company. Nora wrote her own scripts for the puppets using tradional stories of Papua New Guinea. The National Theatre Company toured local villages and performed in the streets. They went to the Pacific Arts Festival in Rotorua and Wellington, New Zealand. They also danced in Point Venus ...

Land Echoes History

  It is challenging to write fiction, based on actual history, than on pure imagination. The challenge is to be as close to history, but aided with literary license to reconstruct a storyline that maps out the narrative. The technique known as fictionalizing history is taken on board to plough the field of history and fiction to make something grow out of it. Land Echoes (2014) is my first novel based on my grandfather, Holonia Jilaka, whose life inspired this book. Although not a biography the novel’s timeline is based on the part of my grandfather’s history. I recorded my grandfather’s story on tape when I was a UPNG student many years ago. The part that I was interested in was the part where he went to the Highlands of Papua New Guinea in 1933 as a shepherd boy with the Catholic missionaries. He spent three years (1933-1935) in Simbu area before being discharged as a mission boy. He then joined the police force, taking his training in Rabaul depot under the instru...