With pioneer PNG Feature Filmmaker Mr. Albert Toro 2012 |
It
was a pleasure to hear Albert Toro talk about his experience of making the
film, how he started, and his passion for the theatre performances. He talked
about the technical aspects of film and his concerns that as a filmmaker there
was no money and government support in that industry. He asked where he would
find trained actors, scriptwriters, camera handlers, and musicians if he were
to produce a feature film. In making films everyone works together as a team.
There is an interdependent relationship between everyone who makes a film.
I
have long admired Albert for being a pioneer in making films in Papua New
Guinea. He had the experience and wisdom to take Papua New Guineans to that
world only if we work together with him.
Albert
has a good relationship with the National Film Institute, especially since
Chris Owen and himself worked together on the film Tukana many years ago.
The
National Film Institute produced a video on how to make films. Robert Buleka of
the National Film Institute gave me a copy of their instructional video: Kirapim Wok Piksa—insait long PNG. This
is a video film project featuring “The
Kamera Eye”, a video story and “The
NFI Classroom: a grassroots guide to digital filmmaking.” Chris Owen and Chicco Baru are responsible for
making of these films.
The Kamera Eye is 60 minutes long. The film has Tokpisin and English subtitles.
In the introduction of the video the filmmakers ask: “Have you ever thought
about life without photography, or cinematography, and what it must have been
like for our ancestors before the early Europeans arrived on our shores with
their cameras? We can only imagine a world where all knowledge was passed from
generation to generation by word of mouth in 800 languages where there was no
written word and natural barriers were formidable.”
“Just
think, there are young Papua New Guineans today born after Independence Day in
1975 who would not know what their own parents witnessed back then without
photography, Moving Images’ and “Film Archiving.’ Today photography, movies,
and television, dominate my people’s lives, the technology exists for even the
remotes rural communities to plug into the modern global Village.”
“Then
there is the universal Digital Versatile Disc, viewed by thousands of Papua New
Guineans everyday nationwide.”
The
important questions the filmmakers ask for us to think about are this: “What is
the public actually watching? Is there a case for a local Melanesian Film
Industry and the Archives to go with it?” These are critical questions at this
time when our reliance on cheap pirated videos on DVDs and what-not are
swarming us and we have total reliance on films made overseas.
The
second film in the same cover is simply entitled: “The Classroom”. The Classroom is in Tokpisin and is 2 hours
and 17 minutes in length. This film is
used in the National Film Institute’s grassroots filmmaking project in the
Eastern Highlands Province. I am impressed with the video because it is the
answer to those of us who are interested in making films. It is a film that is appropriate for us in
instructing simple Papua New Guineans on how to make a film or video
documentary.
The
filmmakers ask: “Ever wanted to make a movie, but don’t know where to start?
Now the Digital Filmmaking Revolution has made it possible for anyone from grassroots
to professors, to make affordable films. With modern digital video cameras and
simple video editing software like Apple Computers iMovie, it’s simply up to up
to you to have an idea. Now any individual, community or artist can be seen and
heard.”
In
this video Chris Owen the veteran filmmaker in PNG and Chicco Baru of the
National Film Institute share their knowledge of making films using the Digital
Filmmaking techniques.
“Use
the 22 tutorials contained in the “classroom” (Part 1) to start making movies.
By doing so you can help create a new Papua New Guineans film industry with all
the potential to create entertainment and eventually local employment.
The two
films I have been discussing were produced by the National Film Institute of
PNG for the Media Council of PNG. It is a Media in Development Project jointly
funded by the Government of Papua New Guinea and AusAID.
The
reason I am ecstatic about this grassroots film project undertaken by the
National Film Institute for the Media Council of PNG under the Media in
Development Project Initiative is because I had sounded the idea some years
back through this column on media literacy following a workshop of the Media
Council of PNG in SIL Ukarumpa. I am
happy to see this idea eventuate finally.
I
look forward to the day when the film industry develops in Papua New Guinea to
such a proportion that equals Hollywood, Bollywood, or Nigerwood. Maybe by that
time we might have a name for it such as Niuginiwood, Giniwud, PNGwood or
Melanwood.
For
the industry to develop there must be concerted efforts by those already
working in the industry to discuss working strategies and strategic development
plans in conjunction with the government of Papua New Guinea, development
partners, the respective organizations such as the National Film Institute, the
National Cultural Commission, the Tourism Promotion Authority, the Institute of
Papua New Guinea Studies, University of Goroka, and the University of Papua New
Guinea, EMTV and Kundu2, and the private film and video companies operating in
Papua New Guinea.
Times
for working in isolation for whatever reasons must now end.
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